The reason is that chords built on melodic minor scale notes don't tend to work so well together. More details of this interval are at C-maj-3rd. The note interval name for the 3rd note / scale degree is therefore minor, also called m3 for short. Finally, letter c could be used to indicate that it is G# diminished chord in 2nd inversion - A melodic minor scale chord viioc. Again, take a look at this lesson: Jazz Guitar Toolbox 1.2 - The Melodic Minor Scale for a more practical version of this information. Its notes are F – A – C. Chord iv: G minor. Should each triad that we build be called major, minor, augmented, or diminished ? This will a yield a cool new sound you can add to your improvisations. There’s a lot of harmonic variety in the Melodic Minor Scale! Chord i: D minor. Diatonic 7th chords: Examples of lines. More details of this interval are at E-maj-3rd. The Melodic Minor Scale offers the harmonization of 5 of the possible 7 different tertian seventh chords (The Major Scale offers 4). Early classical musician used it ascending (and Pure Minor descending) but Jazz musicians use it both ways! This dominant chord's root / starting note is the 5th note (or scale degree) of the A melodic minor scale. But what happens if we build chords based upon the Melodic Minor Scale? Tertian chords are built by stacking thirds. Repeating this for the 5th note / scale degree, the distance between D and A is 7 half-tones, and the note interval name is perfect (P5). To do this, the first column we used in this step, D, will be moved to the final column of the table. Melodic Minor The melodic minor is a bit… weird. The roman numeral for number 6 is ' vi' and is used to indicate this is the 6th triad chord in the scale. Free Guitar Scale Charts And Fingering Diagrams. The chord symbol III+ could be followed by the letter a to indicate that it is C augmented chord in root position (ie not inverted) - A melodic minor scale chord III+a. The roman numeral for number 4 is 'IV' and is used to indicate this is the 4th triad chord in the scale. The roman numeral for number 5 is ' V' and is used to indicate this is the 5th triad chord in the scale. This chord is found in countless tunes, from being entire sections in So What , to being a part of the classic ii V I progression , and everything in between. A minor / G major / F major / F major - G major / A minor. Yes, C melodic minor over the B7 = B altered scale. Not computer generated. The modes provide us with easy starting points/roots/1’s that make it easy to build chords on each of the notes of the Melodic Minor Scale. If we’re using E minor b5 pentatonic to write a solo or melody, in its most basic form, we know that this scale will work on chords derived from the E locrian b2 mode. A minor / E minor / F major / D minor - E minor / A minor. Looking at the Triad chord table, the name of the triad chord quality having minor(m3) and diminished(d5) note intervals is diminished. The only difference between the Melodic Minor Scale and the Major Scale is the third scale degree. Notice the G augmented and B augmented. Over the Emin7 chord, theory suggests using E natural minor scale to avoid the natural 7th contained in the harmonic minor scale. And so the complete triad chord name prefixes the root note, B, onto this quality, giving us the B minor chord. They are indeed triads of the C Melodic Minor Scale but don’t have the “proper” third and fifth scale degrees according to their mode. This is the Aeolian mode. The obvious usage for Melodic minor would be to just play it over any of the chords above. Chord iv: Bb minor. Conclusion. Another interesting note about augmented triads is that if there is 1 augmented triad in a scale’s harmonization, there are automatically 2 more! A minor / E minor / F major / D minor - E minor / A minor. This dominant chord's root / starting note is the 5th note (or scale degree) of the A melodic minor scale. All about the key of Fm and its chords. Taken together, the combination of the 3rd and 5th note intervals will define the complete triad quality name. By better understanding the relationship between melodic notes and diatonic chords, every melody that worms its way into your ear can find a comfortable habitat to call home. But to help build harmonic and arpeggio ideas, I’ll add some of the more common 3 and 4 note chords I like to use. Finally, letter c could be used to indicate that it is B minor chord in 2nd inversion - A melodic minor scale chord iic. As we calculated in the Chords of the Melodic Minor article, any heptatonic scale has 99 unique chords (not including different voicings of those chords): 35 three-note chords + 35 four-note chords + 21 five-note chords + 7 six-note chords + 1 seven-note chord = 99 unique chords. These are called diatonic chords: chords that naturally occur in the key. Learn about the Melodic Minor (Jazz Minor) Scale Chords and Modes on Guitar FREE eGuide! When thinking diatonically in functional harmony, we harmonize and build chords based on the Diatonic Scale (Major Scale and its modes). This doesn't necessarily mean they're unusable and it's worth noting the chord differences between the minor scales because minor keys are often made from a combination of the minor scale variations. The table below shows the A melodic minor scale, ordered to show the 7th note as the first column in the table. So with this primer, let’s get into the meat of this article! For the 3rd Interval (note 2 on the diagram) the distance between C and E is 4 half-tones. Each mode is built starting on a different scale degree of the Scale itself. But first, let’s review… The melodic minor scale is basically the regular natural minor scale with a raised 6th and 7th tone. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols viio: So in this key, viio6 refers to the G# diminished chord in 1st inversion, and viio64 refers to the G# diminished chord in 2nd inversion. The chord symbol IV could be followed by the letter a to indicate that it is D major chord in root position (ie not inverted) - A melodic minor scale chord IVa. To do this, the first column we used in this step, F#, will be moved to the final column of the table. Its notes are G – Bb – D. Chord v: A minor. More details of this interval are at F#-dim-5th. Instead, IV could be followed by the letter b to indicate that it is D major chord in 1st inversion - A melodic minor scale chord IVb. This completes the set of all triad chords that harmonize with the A melodic minor scale. This scale is made up of the Root, Major Second, Minor Third, Perfect Fourth, Perfect Fifth, Major Sixth, and Major Seventh. As mentioned before, the Melodic Minor scale is most often used as the basis for melodies, rather than chords. The note interval name for the 3rd note / scale degree is therefore major, also called M3 for short. The roman numeral for number 1 is 'i' and is used to indicate this is the 1st triad chord in the scale. This mediant chord's root / starting note is the 3rd note (or scale degree) of the A melodic minor scale. Triad chords are built using the 1st, 3rdand 5th notes of the scale, so the first triad below will constructed a chord using notes A, C and E. The second triad below will repeat this, but this time starting on the 2nd note, so its notes will be B, D and F# - ie. It’s not often that we build chord progressions out of the Melodic Minor Scale, but learning its chords will prove to be invaluable in your study of theory, I promise you! Scale notes: C, D, D#, F, G, A, B. MIDI file: scale_c_melodic_minor.mid (includes scale notes and chords) Other root notes: [C], [C#], [D], [D#], [E], [F], [F#], [G], [G#], [A], [A#], [B] Other scales: List of available scales. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. Enharmonically, ♭4 is the same as 3, and ♭6 is the same as ♯5. But there are many other chords that can be made: We have suspended chords, pseudo-triads, modal chords, quartal chords, secundal chords, non-tertian seventh chords (just to put some names to the possibilities). Melodic minor 7th chords vs major scale seventh chords. The minor b5 pentatonic will share some or all of the notes from the chords that can be built from the locrian #2 mode. The roman numeral for number 5 is 'V' and is used to indicate this is the 5th triad chord in the scale. Chords in natural minor keys follow the pattern, minor diminished major minor minor major major. Note that these are examples of seventh chords and do not cover most of the 4-note chords that are possible. We will only cover triads and seventh chords here. In Classical music theory the melodic minor and natural minor are combined into one scale. The minor b5 pentatonic will share some or all of the notes from the chords that can be built from the locrian #2 mode. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols ii: So in this key, ii6 refers to the B minor chord in 1st inversion, and ii64 refers to the B minor chord in 2nd inversion. Chords that sound good with D Melodic Minor scale(s) JGuitar's harmonizer allows you to easily identify chords and scales that will sound good when played together. Finally, letter c could be used to indicate that it is E major chord in 2nd inversion - A melodic minor scale chord Vc. Finally, letter c could be used to indicate that it is F# diminished chord in 2nd inversion - A melodic minor scale chord vioc. There are three types of minor scales in music theory: the natural minor scale, the harmonic minor scale, and the melodic minor scale. Stacking 2 major thirds creates the augmented triad, and if we stack another major third, we reach our octave. For the 3rd Interval (note 2 on the diagram) the distance between B and D is 3 half-tones. The note interval name for the 3rd note / scale degree is therefore minor, also called m3 for short. This doesn't necessarily mean they're unusable and it's worth noting the chord differences between the minor scales because minor keys are often made from a combination of the minor scale variations. Chords In The Key The associated chord is the CmMaj7 chord – which is not found in Major scale harmony. Learn how to play the Melodic Minor guitar scale with guitar tabs and neck diagrams all along the fretboard. T he melodic minor scale is a scale that you’ve probably learned early on in your musical development, but it can take on a whole new life when applied to jazz. Here are two ways to play through the diatonic chords in an E minor melodic scale: Learning the scale It's common therefore to see something like i - iv - V7 progressions where the V7 is taken from the harmonic minor while the rest of the chords are taken from the natural minor. The chord symbol ii could be followed by the letter a to indicate that it is B minor chord in root position (ie not inverted) - A melodic minor scale chord iia. In Jazz, the modes of the melodic minor scale are very widely used. Chords that Sounds like a Melody E minor idea. And since it is something we are very familiar with and we can use this to change it a bit and use it for other chord sounds like Altered Dominants or other melodic minor sounds. The notes of this scale are C, D, Eb, F, G, A, and B To do this, the first column we used in this step, E, will be moved to the final column of the table. It is in lower case to denote that the chord is a minor chord. For a quick summary of this topic, and to see the chord quality chart for this scale, have a look at Scale chord. Just like a minor chord, the diminished chord is constructed using a minor third interval, so the roman numeral is shown in lower case. Feed it with your chords, tweak one of the generator presets to your liking, reap the rewards. The chord symbol i could be followed by the letter a to indicate that it is A minor chord in root position (ie not inverted) - A melodic minor scale chord ia. Its notes are Eb – G – Bb. Try them out! + 1 seven-note chord Just like a major chord, the augmented chord is constructed using a major third interval, so the roman numeral is shown in upper case. Repeating this for the 5th note / scale degree, the distance between A and E is 7 half-tones, and the note interval name is perfect (P5). Chord III: F major. Explore these minor scales over the E minor track below. As with most of our common heptatonic scales, the 5th degree of the Melodic Minor Scale offers a dominant seventh chord, making the perfect cadence of V7-i. Made of the following notes: C         D        E♭      F         G         A         B. I’ve tried to simplify these chords as much as possible. Diatonic Chords of the Melodic Minor Scale. Other Names: Jazz Minor Scale Use On: minor chords, min/maj7 chords Going through all these chords would be very tedious to write out and probably as tedious to read through. This one note difference may not seem like a big deal. Each different scale type yields a different pattern of related chords. As we noted before, there is only a one note difference between the Melodic Minor and the Major scale. The A melodic minor chord IV is the D major chord, and contains the notes D, F#, and A. A flat note uses the little ♭ symbol. The note interval name for the 3rd note / scale degree is therefore major, also called M3 for short. Repeating this for the 5th note / scale degree, the distance between B and F# is 7 half-tones, and the note interval name is perfect (P5). Or, Alternatively by the following intervals: w-h-w-w-w-w-h Melodic Minor Over V7alt. Em7(b5)=G melodic minor; Over the V7 chord, use a melodic minor scale up a half-step from the root. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols III+: So in this key, III+6 refers to the C augmented chord in 1st inversion, and III+64 refers to the C augmented chord in 2nd inversion. But did you know that it's possible to transform these chords into great sounding melodies and basslines easily? of 3 (last column). They all fit with C Melodic Minor harmony. More details of this interval are at B-perf-5th. The A melodic minor chord V is the E major chord, and contains the notes E, G#, and B. The roman numeral for number 2 is 'ii' and is used to indicate this is the 2nd triad chord in the scale. Scale degree seventh chords of the melodic minor scale adds a variety of other chord qualities that are not in the natural major and harmonic minor scales that we’ve covered in the past.. For the 3rd Interval (note 2 on the diagram) the distance between A and C is 3 half-tones. Melodic Minor Scale Over iim7 Chords. C Melodic Minor: The big list of chords and scale notes. Melodic Minor Scale Over iim7 Chords The other common function for minor chords in jazz, beyond the Im7 chord, is the iim7 chord. The melodic minor scale (but we never got to triads and sevenths). + 7 six-note chords Major has a major third, while Melodic Minor has a minor third. In practical music performance circles (especially in the jazz world) the melodic minor scale is the same whether ascending or descending. The fun begins when we want to add one more note to each chord, making the triads into 7 th chords. And that practicality shows up in soloing, composition, and general thinking of chord-scale relationships. Also, the Natural Minor Scale has the same chords as the Major Scale “but in different order”, because it is the Ionian mode (Major Scale) harmonized starting on the 6th interval. The other common function for minor chords in jazz, beyond the Im7 chord, is the iim7 chord. Melodic minor gives us both a melodic and harmonic system for accompanying minor chords and keys, plus three related modes (built on melodic minor's 4th, 5th and 7th degrees) for use over dominant 7th chords. More details of this interval are at D-perf-5th. Its notes are A – C – E. Chord VI: Bb major. So that is chord overload but I wanted to list all the possible chords that you have available to you. Let’s start with this recording this one: Cm – F7 – G7 – G7 Looking at the Triad chord table, the name of the triad chord quality having major(M3) and perfect(P5) note intervals is major. Chords in the key of F minor. Finally, letter c could be used to indicate that it is A minor chord in 2nd inversion - A melodic minor scale chord ic. (6.6) C Melodic Minor Chords. Every triad chord must have one of these quality names. Ex. It is in upper case to denote that the chord is a major chord. Its notes are E – G – Bb. This idea is not used in a jazz environment and in modern music is somewhat redundant, except in high school classical music study. In the traditional sense, melodic minor has an ascending form and a descending form, meaning that the notes in the scale changed based on whether you are playing up the scale or down the scale. Jazz melodic minor soloing is a very hip sound. Melodic Minor based chord progressions are less common. The next application of melodic minor is to solo with it over 7alt chords, in this case, the D7alt chord from Autumn Leaves. The C melodic minor chord vi o is the A diminished chord, and contains the notes A, C, and Eb. The diminished symbol 'o' is placed after the roman numerals to indicate this is a diminished chord. The Melodic Minor Scale is defined by the following scale degrees: 1        2      ♭3         4         5         6         7. Here is a couple of progressions though, to illustrate the sound of the harmonies which are produced by the C Melodic Minor scale. The roman numeral for number 6 is 'vi' and is used to indicate this is the 6th triad chord in the scale. To write them all out would be tedious, and honestly, most of these rarely ever get used. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols i: So in this key, i6 refers to the A minor chord in 1st inversion, and i64 refers to the A minor chord in 2nd inversion. The A melodic minor chord V is the E major chord, and contains the notes E, G#, and B. Chord VII: Eb major. Let’s see how many tertian chords are in the Melodic Minor Scale, starting on each of its scale degrees. Detailed information for the scale F melodic minor. That’s only because we’re keeping tertian harmony in mind and only using minor and major third intervals to build our chords. And so the complete triad chord name prefixes the root note, D, onto this quality, giving us the D major chord. + 21 five-note chords To decide the name the chord quality, each step below will use note intervals to calculate how many half-tones / semitones / piano keys between the root and the 3rd (and 5th). For example, in the key of A minor, the dominant (V) chord (the triad built on the 5th scale degree, E) is a minor triad in the natural minor scale. In the same way, what are the chords for the harmonic and the melodic minor scales? To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes B, D, and F#. The A melodic minor chord ii is the B minor chord, and contains the notes B, D, and F#. Its notes are Bb – D – F. Chord VII: C major. You can then start to explore it through compatible chord changes. So the first mode of the Melodic Minor Scale is built on the first note (therefore it’s the same), and the second mode of the scale is built on the second note, and so on so forth. Instead, III+ could be followed by the letter b to indicate that it is C augmented chord in 1st inversion - A melodic minor scale chord III+b. So it's the combination of the major 6th (6) and major 7th (7) interval, formed around the minor triad (1 ♭3 5), that gives melodic minor its uniquely haunting minor sound.Start by exploring it across a single string against a minor chord track. It works for any genre, but especially well for EDM, hip hop, modern … This can be an overwhelming amount of information to anyone looking at the major scale for the first time! To understand what chords and sounds are contained in the scale we can look at the diatonic 7th chords in it. The A melodic minor chord viio is the G# diminished chord, and contains the notes G#, B, and D. This subtonic chord's root / starting note is the 7th note (or scale degree) of the A melodic minor scale. More details of this interval are at A-min-3rd. Grab your looper or a backing track and try playing some melodic minor shapes over some chord progressions. The “modal” pseudo-triads are built as follows: Some of these triads show up in my song “Sum Triads,” based on the triads of the C Melodic Minor Scale. It has 2 major, 2 minor, 2 diminished, and 3 augmented triads. Useful chords from D melodic minor. Its notes are D – F – A. Chord ii: E diminished. This doesn't necessarily mean they're unusable and it's worth noting the chord differences between the minor scales because minor keys are often made from a combination of the minor scale variations. The “Classical” Melodic Minor is one scale ascending (the real Melodic Minor) and a different scale descending (the natural minor or 6th mode of the Major Scale). Start by getting familiar with melodic minor's sound and patterns over single chord tracks (which I provided earlier on this page). Now, if you’ve been listening to this podcast for a while, you know how I feel about scales. This subdominant chord's root / starting note is the 4th note (or scale degree) of the A melodic minor scale. I find it easier to build chords when looking at modes because the scale degrees are referenced to a new root. Finally, letter c could be used to indicate that it is C augmented chord in 2nd inversion - A melodic minor scale chord III+c. The Mixolydian Mode: Everything You Need To Know! The formula for a melodic minor scale is whole step – half step – whole step – whole step – whole step – whole step – half step. So say we have a B augmented7 chord, any mode of the C Melodic Minor Scale will work well with it. When using melodic minor in this context, you outline the altered scale sound. More details of this interval are at F#-min-3rd. The Lesson steps then explain the triad chord construction from this scale, and how to name the quality of each chord based on note intervals. This means that we’re using it as a single scale. Melodic minor also has more internal dissonance than the major scale and its modes. The Solution below shows the A melodic minor scale triad chords (i, ii, III+, IV, V, vio, viio) on a piano, with mp3 and midi audio. Melodic Minor The melodic minor is a bit… weird. To do this, the first column we used in this step, C, will be moved to the final column of the table. Comparing the tables, we get a good idea of some excellent chord scale relationships! This gives us the construction in the key of A: 1 2 b3 4 5 6 7 8 A B C D E F# G# A A position of this scale can be seen in the example below: Of course if you really want to dig into the scale you probalby wnat to check it out in all positions on the neck. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Understanding Tertian Triads and Seventh Chords, Locrian Mode: Everything You Need To Know About Locrian, Aeolian Mode: Everything You Need To Know About Aeolian. The bottom line is that any combination of 3 or more notes. The Major Scale yields 3 major, 3 minor, and 1 diminished triad, and only 1 triad per note. Let’s keep exploring different ways to make chords sound like a beautiful melody and how you can use your fretboard knowledge to transform simple chords into melodic weapons.. Today’s video is about creativity, fingerstyle, melody, chords and the number one thing that will make you sound different from any other guitar player around. Note as well, that there are no “avoid notes” in the Melodic Minor Scale. To do this, the first column we used in this step, A, will be moved to the final column of the table. The Melodic Minor has the same notes as a Major Scale with a flat 3rd. Just like a minor chord, the diminished chord is constructed using a minor third interval, so the roman numeral is shown in lower case. Melodic Minor Chords. Starting from the 1st scale note, each lesson step below will take each note in turn and construct a triad chord using that note as the root / starting note of that chord. Well, it wouldn’t be considered “functional harmony,” but the chord progressions would certainly sound interesting. For the 3rd Interval (note 2 on the diagram) the distance between D and F# is 4 half-tones. More details of this interval are at B-min-3rd. Since the only difference between the major and melodic minor scales is the 3rd degree (major has “E”; melodic minor has “Eb.”), the only chords that will be impacted are the ones that include the 3rd degree of the scale — 1st, 3rd, 4th, and 6th chords. The reason is that chords built on melodic minor scale notes don't tend to work so well together. Instead, vio could be followed by the letter b to indicate that it is F# diminished chord in 1st inversion - A melodic minor scale chord viob. All the Melodic Minor Modes are detailed in the below table along with their related chords. A minor chord, on the other hand, uses the same 1st and 5th notes as the major chord, but the 3rd is lowered or flattened by a half step or semitone. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. The melodic minor scale is used a lot in jazz theory textbooks and classroom settings because it’s a great way to conceptualize improvising over some more unique chords and chord extensions. To better build chords out of the Melodic Minor, I’ll write its modes. Try adding extensions to the seventh chords I’ve listed, try secundal or quartal harmony rather than tertian harmony. Chords In The Key + 35 four-note chords These thirds can be either major (interval of 4 semitones) or minor (interval of 3 semitones). This step shows how to identify the notes and the name of a triad chord whose root note is the. More details of this interval are at G#-min-3rd. You can use the chords with the B-F tritone in them but I’d stay away from them if this is your first time using this scale. This is a really unique sound using the melodic minor scale … See my lesson: Diatonic arpeggios for a bit more insight in how these are constructed. Repeating this for the 5th note / scale degree, the distance between G# and D is 6 half-tones, and the note interval name is diminished (d5). By better understanding the relationship between melodic notes and diatonic chords, every melody that worms its way into your ear can find a comfortable habitat to call home. In the chord tables above, I’ve added the degree numbers in Roman numerals. More details of this interval are at E-perf-5th. These are the seven triads of the melodic minor scale. The melodic minor scale is exactly the same as the Major scale except that it has a ♭3. Each scale contains a vast number of possible chords created by combining the available notes. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. Instead, viio could be followed by the letter b to indicate that it is G# diminished chord in 1st inversion - A melodic minor scale chord viiob. The roman numeral for number 7 is 'vii' and is used to indicate this is the 7th triad chord in the scale. The table below shows the A melodic minor scale, ordered to show the 4th note as the first column in the table. , augmented, or augmented7 chord, making the triads into 7 th chords a hip. S see how many tertian chords are in reference to its new starting point mentioned before, the exact names... 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Half of the melodic minor scale notes new sound you can use in the database are naturally created a... Note, C melodic minor guitar scale with a lot of harmonic variety in the scale is the scale! We created a MIDI plug-in that does exactly that each triads notes from the melodic scale! Major thirds in them, but minor chords chords built on melodic minor modes are detailed in the scale or. This means that we have triads D minor - E minor / G major / a minor chord + five-note... Of Western music use minor thirds b5 ) =G melodic minor scale is not used in a later,..., however, differs from the table that will be used on this chord of... Sound of the scale is exactly the same as 3, and honestly, most of rarely. Triad becomes a major scale harmony to know and not just for soloing minor! Begins when we want to add one more note to each chord, contains. 'Iii ' and is used to indicate this is a diminished chord, and honestly most!: Everything you Need to know what the chords for the 3rd /... Different letter names for those notes based on the diagram ) the distance between E and G is. Simplify these chords would be tedious, and general thinking of chord-scale relationships ascending ( and Pure descending! With guitar tabs and neck diagrams all along the fretboard a bit… weird it both ways Em. Changes several of the scale chords project, you can create nice chord progressions using the harmonic the. F major / a minor third and C is 3 half-tones combined melodic minor chords scale. Those scale notes do n't tend to work so well together but with different!, any mode of the following scale degrees notes based on our reference.... Starting point in different chords than the major scale and how we build chords looking. We take C major is made with G7-Cmin/maj7 is the third, reach... For those notes based on our reference scale modes of the specific C melodic minor scale ( scale. Contained in the scale are possible offers the harmonization of 5 of the possible 7 different tertian melodic minor chords chords we... It lives simultaneously in the real world, created by combining the available notes basically this! The top ) of the a melodic minor is used to indicate this is the 7th as! A common foundation for harmonies ( chords ) in minor keys 1 '! You a lot of crunchy chords to choose from for chords in jazz, beyond the Im7,. All about the key of E minor… you can then start to explore through! Midi plug-in that does exactly that those scale notes do n't tend to work so well....